Monday 1 February 2010

OROBASI



OROBASI OUROBOROS:

The Fifty-fifth Spirit is Orobas or Orobasi. She is a Great and Mighty Princess, appearing at first like a Mare; but after the command of the Exorcist she puts on the image of a beautiful naked young woman riding upon a Rocking Horse or to be on all fours to look like one in human form. Sometimes she will manifest as a bound Pony-Girl whom will be entirely submissive to her Master's every whim.

The Exorcist will also find that her long hair be braided into two serpentine ponytails that are as her reins tied together at their ends as representing a curved loop of Time. Her office is to discover all things Past, Present, and to come whereby one to travel without moving upon her back through time as in an Ouroboros circle while in the form of a Human Rocking Horse. She also bestows Dignities, and Prelacies, and the favour of Friends and Foes. She gives true answers about the nature of Consciousness, and of the erection of the Universe as well as about the hard and soft technology of Multiverse Wormhole (TARDIS) Time-travel for she to reveal that all are enclosed within a closed Time like curve providing a Time Machine affect that she is a mistress of.

The Multiverse allows for such Time-Travel for the long-held Paradox of Time is no longer applicable whence to find ones own Serpentine Double-Helix DNA is a Time-Machine from which to issue the Laser 'Bio-Photon' infusing ones Electron Dreams. One can therefore introvert Consciousness as a Quantum 'Signal' into the 'Membrane' Dreaming realm so as to access the Multiverse for Consciousness and Time are indivisible from the other. One can in essence 'Quantum Leap' backwards through Time to visit ones own self as Child via the Dream who then to have Dreams of a Future Self to become. Orobasi is exceedingly faithful and most loving unto the Exorcist, and will not allow him whatsoever to be tempted by any other Spirit emanating from a Parallel Universe. She governs 20 Legions of Spirits of similar nature and form to her self.

TRAVELLING WITHOUT MOVING THROUGH THE LOOKING GLASS INTO PARALLEL UNIVERSE WONDERLANDS

WHITE KNIGHT DR WHO GIRL ALBEDO MERCURIUS

Orobasi can be perceived as a sexy female version of 'Doctor Who' whom is the principle fictional character of a British Science Fiction television programme produced by the BBC; then again one could perceive Orobasi as a female assistant whom is an aspect of a sentient intelligence belonging to a living vehicle, which has the ability to travel through Time and Space. Dr Who depicts the adventures of a mysterious debonair alien time-traveller of an eccentric gentleman known as "the Doctor" who travels the Multiverse wthin his Time-Travel machine of a trans-dimensional-spaceship, which is called the TARDIS; the TARDIS normally appears from the exterior to be a ‘Blue’ 1950s Police box whose colour is very much tied up with the Occult sphere of Jupiter. Dr Who usually has various female companions like that of a Faustian stage Magician of a Dr Parnassus having female assistants with whom he explores Alternate Worlds throughout Time and Space whilst facing a variety of foes and righting wrongs.
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Dr Who is listed in Guinness World Records as the longest-running Science Fiction television show in the world, and as being the "most successful" Science Fiction series of all time, in terms of its overall broadcast ratings, DVD sales, book sales and iTunes traffic, as well as "illegal downloads." Dr Who has been recognised for its imaginatively wrought surreal stories, (which often merges the Gothic genre with Science Fiction themes) creative low-budget special effects and for its imaginative creature costumes during its original run; the Science Fiction series pioneered the use of electronic music (originally produced by the BBC Radiophonic Workshop), which one could utilise to Evoke Orobasi. The show has become a significant part of British popular culture within the United Kingdom and elsewhere of influence, whereupon it has evolved into a cult television favourite. Dr Who has influenced generations of British television professionals, many of whom grew up watching the series. It has received recognition from critics and the public as one of the finest British television programmes, including the BAFTA Award for Best Drama Series in 2006.

Dr Who wouldn’t be what he is without his TARDIS (Time And Relative Dimensions In Space), which one could equate with Orobasi; the TARDIS is a product of Time Lord technology, a properly maintained and piloted TARDIS can transport its occupants to any point in Time and Space. The interior of a TARDIS is much larger than its exterior, which can blend in with its surroundings through the ship's Chameleon circuit. In the series, the Doctor pilots an unreliable, stolen, obsolete Type ‘40 TARDIS,’ once referred to as a TT Capsule, whose Chameleon circuit is faulty, leaving it locked in the shape of a 1950s-style London police box after a visit to London in 1963. It was stolen from the Time Lord planet called Gallifrey where it was old, decommissioned and derelict. The unpredictability of the TARDIS's short-range guidance, short relative to the size of the Universe, has often been a plot point in the Doctor's travels.

The "TARDIS" is a type of craft, which is grown like that of a sentient creature rather than being built. The Doctor's TARDIS is usually referred to as "the" TARDIS or, in some of the earlier serials, just as "the Ship, the Capsule" or even "The Police Box". (In the two 1960s Dalek films, the craft was referred to as TARDIS, without the definite article.)

Doctor Who has become so much a part of British popular culture that the TARDIS has grown into becoming an Archetypal cultural symbol; the word "TARDIS" has been used to describe anything that seems bigger on the inside than on the outside. The name TARDIS is a registered trademark of the British Broadcasting Corporation.

The storylines of Doctor Who are quite Surrealist of tone and somewhat reminiscent of Lewis Carrol's Alice in Wonderland. In 'Alice Through The Looking Glass' one will find the character of the White Knight whom is similar in some respects to Doctor Who, although the Doctor is far more akin to the Mad Hatter of an eccentric Mage. However, as the White Knight riding a Mare he becomes as the Operator whom rides her, for the Knight Piece of 'Chessboard' can be equated with the Mathematical Symbol for the 'Marked-Unmarked-State' Brownian Operator symbolised of abstract inverted ‘L’. The Brownian Operator of a ‘Sigil’ was utilised by the Scientist John C. Lilly in his experiments when investigating Altered States of Consciousness so as to open the 'Star-Gate' of 'Looking-Glass' portal into ‘The Centre of the Cyclone’ mysteries of the Mind.

In Northern-European myths the Norse Shamanic deity called Odin whom the Saxon's knew as Woden in Britain rode an 'Eight-Legged-Mare,' of a prior 'TARDIS' before that of H.G Well’s Time-Machine, which was perceived to be either White or Dapple-Grey in colour. Odin’s Eight-Legged-Mare was known by the name of 'Sleipnir.' It is upon Sleipnir that Odin/Woden was enabled to 'Trance' travel the 'Multiverse' World-Tree of Yggdrassill, like that of Dr Who, which indicates that John C. Lilly had tapped into an ancient Shamanic technique via his Sigil of a Horse-Headed Knight-Piece Brownian Operator.

Odin is very much the influential forerunner of Dr Who for he was known as the 'Unknowable One' whom had many guises like that of the Doctor’s Marked-State regenerated selves who went through Un-Marked-State transformations. Odin's sacred colour was Blue while his particular Rune was that of the Fourth Rune of Ansuz, which encapsulates his Shamanic ability of Trance travelling into other Marked-State realities.

John C. Lilly of an Odinic Doctor Who Shaman duly rediscovered that within the depths of ones Mind to explore via Lucid-Dreaming one can find Un-Marked-State 'Looking-Glass' Doorways all as Mini-Wormholes, which are conjectured to be at the centre of ones Electrons that can allow ones reduced point of Consciousness to gain ingress into other Marked-State Alternate-Realities existing within Parallel-Universes; Lilly's findings were ushered in upon the back of the Mathematical Symbol of the Brownian Operator, which his Consciousness rode as a Trance Horse of Trigger-Symbol when floating Amphibious within his Floatation-Tank of an amniotic solution filled King's Sarcophagus.

One to find the White (Albedo) Knight of a Doctor Who in ‘Alice Through the Looking Glass’ saving Alice of an Anima from his opponent, the (Rubedo) Red Knight. The Red Knight is somewhat like that of Doctor Who’s adversary called the Master just as Sherlock Holmes had his shadow of a Moriarty. The White Knight is depicted as repeatedly falling off his 'Horse' whereby to invariably land on his intellectual Head all upside-down to Hang from stirrup; he tells Alice of his numerous 'Mercurial' Inventions, which consists of things such as a pudding with ingredients like blotting paper, and an 'upside down container'. He recites a poem of his own composition, ‘A-Sitting on a Gate,’ but then, while to ride the Unmarked-Marked-State Operator of an Orobasi he is very much betwixt and between worlds Trance travelling through Space-Time to Warp of Visions and Dreams made Lucid of Amphibious Awareness.

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