Wednesday 16 June 2010

GOETIC TRANSFORMATIONS : BAELA SHAMANKA BY MARK DUNN;COMMENTARY BY TOYIN ADEPOJU



The first principal spirit is called Bael, Baeli or Baela, a great queen principally ruling in the Far East over the North-Central Asian Steppe into Siberia.

She manifests as a most ancient crone, a wizened female shaman, on account of which she is found bedecked in cat furs wearing a skirt of amphibious reptile skins. As a female shaman she formulates into vision living in a yurt, which appears to be alive, walking about on chicken legs, and which also flies like an interdimensional-time-travelling vehicle akin to a discoid mushroom.

Baela sometimes appears as a sexually inclined Russian parapsychologist of feline predatory orientation versed in anthropology and having deep insights into psychology, which she relates within vivid erotic dreams after making love to her.

One will notice that she will sometimes sport the Communist Red-Star badge, which is really that of the ancient 'Fire-Star', which the ancient Mongolians and Chinese know represents the planet Mars. The hammer will thence represent the shaman-smith’s power over explicate-ordered material form (alchemy) enabling mastery over fire (bio-photon) while the sickle symbolises the moon realm of implicate-ordered quantum dreaming. She will communicate that she is a professor at St Petersburg University, conducting experiments into metapsychic abilities, enabling her to be able bestow such powers.

Her nature is seductively feline, empowered by a wisdom intimately related to the Olkhon Rune jewel at the midst of the toad's head. She speaks with a deep seductive Russian accent but her original language is ancient Mongolian.


RED QUEEN BAELA OF ‘THROUGH THE LOOKING GLASS’ STARGATE

One could imaginatively associate Baela with the characters the Queen of Hearts in Lewis Carroll’s fantasy classic Alice in Wonderland and the Red Queen in Caroll's Through the Looking Glass. One can then fuse both characters in the different books in terms of a shamanic union.

In Through the Looking-Glass the Red Queen demonstrates the symbolic motif of the game of chess which itself represents the game of life.

As a Chess-Queen she can move in any direction she desires, which in regards to Baella means she can walk worlds, for the chessboard represents the mathematical symbol of the marked-unmarked state operator, which allows one’s consciousness to traverse microcosmic hyperspace via mini ‘Looking-Glass’ wormholes.

In both American McGee’s popular computer game of Alice and Tim Burton’s film adaptation of the Alice books the Queens are also combined, leading thereby to further popular misconceptions. As for American McGee's Alice it does lead one to the trilogy of Matrix films and that of a theory that one’s very existence is merely that of a quantum computer simulation wherefore one is living within a holographic universe amidst many others in a multiverse. However, one will discover that the 'Wonderlands' of the quantum dream are very much like 'virtual-realities', which are the informing 'informational' fractal templates underlying ones 'physical' existence.

The evolutionary concept of the Red Queen’s hypothesis originates from her statement about the Red Queen’s race: “Now, here, you see, it takes all the running you can do, to keep in the same place. If you want to get somewhere else, you must run at least twice as fast as that!” Her hypothesis has shamanic overtones for when ones consciousness trance-travels internally within the implicate-order of the quantum dream one is travelling without moving when utilising the theorem of the marked-unmarked-state operator for one is travelling faster than the speed of light.

As for the mirror that gives it names to Through the Looking-Glass one can equate its 'wormhole' function with the science fiction film Stargate. The Red Queen of a Mongolian shamaness Baela could thence be construed as being very much of an inspiring muse for a chess playing Red King of an 'Odqan' Chinngis Khan in order to thence become invincible in his military strategy, especially when conquering his own self to go quantum.