VALIFORA

FRENCH MAID VALIFORA:

The Sixth Spirit is Valefor or Valifora. She is a Mighty Duchess and appears at first in the shape of a Chinese Lion-Dog to be bellowing whereby she will then at the request of the Magician manifest as a ravishingly beautiful young Girl or Woman dressed as a French Maid. She is an exceedingly good familiar of a lovingly faithful servant to obediently do whatever is commanded of her.

However she has the tendency to move objects from place to place to also generate apports of valuable items, which to give many the impression she be a thief but really that of her mischievous poltergeist nature, which will come to the fore when she has not been given any due attention; wherefore she will induce vivid visions and Erotic Dreams so that to drive her Master to dominate her for she very much enjoys being tied up and bound in order to be carnally punished, which will be due in part to her playful pranks.

When Valifora is pleased with her Master he will often see her removing her briefs so as to gift to him, which at times to appear momentarily as apports to then disperse into puddles of water. Her seal is to be worn, whether you will have her for a familiar or not. She governs Ten Legions of Female Spirits like unto herself whom to appear as most obedient Maids to work about ones Circle so as to accomplish those tasks set out for them.
THE WHITE RABBIT'S PERSONAL FRENCH-MAID

One can imaginatively associate Valifora with the White Rabbit’s Housemaid Mary-Ann whom is featured in Lewis Carroll’s 'Alice’s Adventures in Wonderland'. Within the explanatory notes found within Alice’s Adventures in Wonderland (Oxford World’s Classics edition) one will find ‘Mary Ann’ is "almost as common an equivalent for 'Servant-Girl' in the Nineteenth century as Abigail had been in the Eighteenth."
Slang dictionaries of the time called a dress stand a Mary Ann as well, while in Cockney slang Mary Ann was equated with the Vagina, Fan and Hand (Female Masturbation) as well as with an effeminate male.
Mary Anne/Ann was also the nickname for the Guillotine during the French Revolution, which was personified as being a Feminine instrument for it was often referred to as Madame Guilotine, which in turn had sexual connotations for the device of execution was associated with the Vagina Dentate whereupon one finds many a beheading within Carroll’s Wonderland being instigated by the (Madame Guillotine) Queen of Hearts.
Surprisingly for an Anglican Deacon of his time, Carroll was a founder member of the 'Society for Psychical Research' whom firmly believed that the time was coming when Extra-Sensory Perception, and Telekinesis (the power to move objects by thought alone) would be accepted by the Scientific community.

In both books, Alice is transported into another world – firstly by falling down a Rabbit-Hole, and then by stepping through a Mirror. The other-worldly Shamanic quality of the Surreal places she visits as a Psychonaut is a powerful element in the books’ appeal. Interest in Hypnotic States, Out-Of-Body-Experiences along with the work by Sigmund Freud and Carl Gustav Jung's interpretation of Dreams and the Collective Subconscious Mind, all gathered pace in the Victorian era, which influenced Carroll's works.

Carroll was very much into word-play and Symbolic codes of imaginative association whereupon one could conjecture that 'Mary' refers to ‘Mother Mary’ of the Catholic faith while the White Rabbit has associations with the Elder belief system of the Pagan faith of Old England for the White Rabbit is associated with Easter whose name was originally derived from the name for the Anglo-Saxon Goddess 'Ēostre'.
One will find within the Tibetan-Buddhist Vajravarahi Mandala, of Western quarter, which is perceived to be the direction of the Dead where the sun sets is standing the Red Dog-Headed Dakini who is called Svanasya one can associate with Valifora; the Dog-Headed Dakini Svanasya can in turn be equated with the Chinese Lion-Dog.

One could perceive Valifora as being very much akin to the Dog-Headed Dakini Svanasya whom is in turn associated with a Chinese Lion-Dog of a Succubus Servant Girl.
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WYRD ALICE SAMIGINA: The Fourth Spirit is SAMIGINA or GAMIGIN, a Great Female Shaman of a Marchioness. She can also take one unto the heights of Heaven via a Looking-Glass Pole-Star portal of a Vaginal Wormhole into other Parallel Universes whereby her Master is then enabled to walk Alternate Worlds to know of the Dead yet Alive for there is no Death, merely Transitions between Universes Parallel to ones own, and when to visit, one is a Ghost. She will, sometimes manifest as a small horse that one can find in Mongolia or that of an eight-legged female centaur of an Unmarked, Marked State operator tethered to the Multiverse world tree upon whose back she will allow her Master to ride. Vajrayogini is a Buddhist Goddess of initiation whom is also perceived as being a Dakini One could equate Vajrayogini with ‘Samigina’ to imaginatively fuse with the character of ‘Alice’ in Wonderland into a singular Magickal personage of a Tulpa whose Psychonaut knowledge of Surreal Underworld Wonderlands Under-Bed would be on par with that of the female Nishan Shaman of Mongolian lore who specialised in the Dolbor-Ritual of Underworld journeying. Vajrayogini guides one through the Hypnagogic Hymen veil of 'Rabbit Hole' Yoni portal into ones Dreams made Lucid of awareness she is often described with the epithet Sarva-Buddha-Dakini, meaning ‘the Dakini who is the Essence of all Buddha's’. Vajrayogini’s Sadhana, or practice originated in India between the Tenth and Twelfth centuries whose prior practices were originally derived from Shamanistic techniques. Vajrayogini Sadhana evolved from the Chakrasamvara Sadhana, whose emphasis is upon the male deity who had control over the ‘Wheel of Time’ called Chakrasamvara where Vajrayogini appears as Chakrasamvara’s Yab-Yum consort, which became a stand-alone practice of Anuttarayoga Tantra in its own right. The practice involved a Male practitioner identifying him self with Chakrasamvara via deep meditation in order to assume the guise of Chakrasamvara and hence then became unified with the Vajrayogini of consort. One could associate the Wheel of Time with the ‘Tenth’ Tarot Card of the Wheel of Fortune as well as with the Zodiac Star Signs ringed around a ‘Thirteenth’ sign at the midst of ‘Eight’ directions. The practice of Vajrayogini belongs to the Mother Tantras, Tibetan: Ma-rgyud, class of Anuttarayoga Tantra, along with the Tantras such as Chakrasamvara and Hevajra. According to Miranda Shaw, Vajrayogini is: "inarguably the supreme deity of the Tantric pantheon. No male Buddha, including her divine consort, Heruka-Cakrasa vara, approaches her in metaphysical or practical import." Vajrayogini is visualized as a translucent, deep Red skinned nubile nymphet of a 16 year old Girl Lolita who is depicted naked with the third eye of wisdom set vertically upon her forehead. Vajrayogini is generally pictured with the traditional items, which a Dakini has in her possession; her consort Chakrasamvara is often shown as a spear upon Vajrayogini’s shoulder, when she is in ‘solitary heroine’ form like that of a Norse Valkyrie; such Valkyries are often depicted riding Horses across the sky like that of Void-Going Dakini's. In her form as Vajravarahi, she is known as ‘the Vajra Sow’ for she is often pictured with a sow’s head upon the side of her own while in other depictions she has the head of a sow herself. Vajrayogini is often associated with the triumph over Ignorance; the Pig is usually associated with Ignorance in Buddhism of primary Sin. As for the deeper symbolism of the Pig, which stretches forth across into the Pagan lore of ancient pre-Christian Europe, the Pig and Boar symbolised the Underworld whose power was that of recurring (Karma) Cycles of Time, which required transformation by the internal Trance and engineered Lucid Dream ingress of a Shaman who was thereby enabled to untangle its weave. Such practice was often conducted at places of power, which were perceived to be at nexus points where the paths of the Spirits intersect of woven web across the globe of the Crystalline (Diamond) body of the Earth of found Cross-Roads; it was at the mid-point of the Cross-Roads that a Barrow-Mound portal into the Underworld can be found, but in order to access such a 'Rabbit Hole' of Time-Slip one had to first become as a Spirit via Trance ingress or Lucid Dreaming practice, whose technique was symbolised as a severed Head of Skull at the midst of Cross-Bones. One will find such symbolism being portrayed in the severed-headed form of Vajrayogini whom is also very similar to the Indian Goddess Chinnamasta who is recognized by both Hindus and Buddhists. Vajrayogini acts as a meditation deity, or the Yab-Yum consort of Time personified as deity in Vajrayana Buddhism. She appears within a Mandala, which is visualized by the practitioner according to a Sadhana describing a practice of a particular Anuttarayoga Tantra. There are several collections containing Sadhana associated with Vajrayogini but in one collection, the Guhyasamayasadhanamala, contains only Vajrayogini Sadhanas, which is comprised of forty-six works by various authors. The Yidam, which a practitioner of meditation identifies with when practicing the Six Yogas of Naropa is that of Vajrayogini for she is a very important deity in Tantric initiation rites, especially for new initiates as Vajrayogini’s practice is said to be well-suited to those with strong desirous attachment to (Karma) habitual repeating patterns, and to those living in the current degenerate age, which has forgotten that Consciousness is indivisible from Time, one and the same of Chakrasamvara awareness, who is often depicted as a spear upon her shoulder. Vajrayogini has a primary role in the advanced Tibetan Buddhist practice of Chöd, where she appears in her Kalika (Tibetan: Khros ma nag mo) or Vajravarahi (Tibetan:rDo rje phag mo) forms whom cuts away the shells of ones Ego fixation upon repeating cycles of phenomena ever recurring of habitual focus down to the core Diamond consciousness of ones Crystalline Skeletal form whereupon one becomes aware that one is generating the Cycles Of (Kala) ‘Time’ and that of the (Chakra) phenomena of Maya ‘Space’. Vajrayogini also appears in versions of Guru Yoga within the Kagyu school of Tibetan Buddhism. In one popular system the Female practitioner worships their Male Guru in the form of Milarepa, whilst visualizing her self as Vajrayogini. According to the Nyingma school of Tibetan Buddhism, each of the five main Tantric consorts of Padmasambhava is considered to be an emanation of 'Vajravarahi' whom bestows abilities: Mandarava of Zahor: the emanation of Vajravarahi’s (Diamond) Body of Crystalline Earth perceived as a Dodecahedron, which also encompasses the Universe of a Dodecahedron amidst many another Dodecahedron Parallel Universe of Multiverse within which exists a myriad number of Alternate Realities. One comes to a realisation that the reality one is within is only one of many other realities. Socrates told his pupil Simmias: "My Dear Boy, the real Earth seen from above is supposed to look like Twelve pieces of skin sewed together." Some 2000yrs later, back in the 1960's three Russian scientists decided to test Socrates idea of a Dodecahedron Earth by re-examining the globe to see if any pattern should emerge linking significant places in History due to its formation of a Grid; it did. After several years of intensive research in Moscow, the scientists published their findings in Khimiyai Zhizn, the popular science journal of the then USSR Academy of Sciences, entitled: 'Is The Earth A Large Crystal?' Present Cosmologists have now determined that the Universe its self is of a Dodecahedron form. Belwong Kalasiddhi of (North-West) India: the emanation of Vajravarahi’s Quality being that of Ecological Symbiosis and Interspecies Communication for everything is connected by a weave of web woven, which is that of the Bio-Photon Matrix of Light. One becomes aware of Auras and energy fields, which emanate from all forms whether organic or inorganic for everything is made of Light. Belmo Sakya Devi of Nepal: the emanation of Vajravarahi’s Mind represents the Intelligence of all things, which communicates its self via a Symbolic language system of the Quantum Dream interface. When one recognises this one can become Conscious within the Dream in order to thence experience Lucid Dreaming, which can be taken further in regards to Trance ingress for both involves one capturing the Hypnagogic state between Waking and Sleeping whereby one becomes Amphibious of awareness. Yeshe Tsogyal of Tibet: the emanation of Vajravarahi’s Speech via which one cane Evoke associated Symbols within the awakened Microcosmic Dream of Lucidity, which in turn affects ones Macrocosmic reality. One thereby becomes aware that ones habitual Internal Dialogue repetitively evokes external situations and when one changes the focus of ones Internal Dialogue one then experiences the phenomena of observable Synchronicity. Mangala or Tashi Kyedren of "the Himalayas": the emanation of Vajravarahi’s Activity, which is that of ones experiential reality of one of many possibilities; however there be other Alternate Possibilities of a reality just beyond the veil of what one perceives to be real of Maya whereby one can leap from one perception of Reality into another Alternate Reality via portals of Synchronicity. One can thereby perceive Alice in Wonderland of character fused with Vajrayogini who thence to become merged into Samigina of singular Succubae dancing as a Dakini into Wonderlands underground. It is Underground of Crystalline Matrix Symmetry within ones deep Subconscious Mind of physiological Reptilian Brain-Stem drives that one will find the motivation for many of ones already formulated Actions; should one be unaware of such deep seated drives one will often repeat ones Actions over and over again especially when one has been imprinted of Program by an emotionally Traumatic episode in ones life. One can set up the necessary conditions to achieve ones dream job or to meet ones Soul-Mate but if one has an underlying childhood Trauma of being a failure or to be undesirable of love interest one will invariably find that one trips ones self up in order to validate how one perceives ones self deep down, whence to then lose ones Job and Love; in other words one ends up creating ones own personal Hell. When one evokes Samigina it is for the purpose of transforming such underlying traits generating cyclic repeats of experience, which reflect back ones deeper psychological Programming; because of this Samigina is also that of Vajrayogini, hence one can combine the two as one. As for Alice, she has become the archetype of the Wonderlands found Underground of Under-World whereby one can thence fuse all three perspectives together for much of ones initial programming of imprinted neural net is derived from Childhood experiences especially in regards to ones Emotive Charge of Sexuality. Vajrayogini takes the initial Goetia description of Samigina somewhere other of far more expansive explorations to thereby replace mundane ‘Sin’ with the Science of 'Karma;' however the word Sin was originally derived from the Sumerian-Babylonian Moon God Sin whose cult site was that of the Ziggurat of UR and as one to know the Moon marks out the Cycles of Time; this be more so in regards to the Feminine Menstrual Cycle whereby 'Sin' was originally a Female deity whom Cyclically bleeds while a Male does not; thereby when united with Alice-Samigina-Vajrayogini via Lucid Dreaming a Male practitioner can understand the Cyclic Wheel of Time and that of Eternal Recurrence, which is the (Habitual) Karma of Lead to transform into (Right Action) Dharma of Gold, should the practioner desire to engage him self in such Alchemy in order to transmute the ancestral (Karma) Reptile residing within him into a (Dharma) Dragon. Aside from the traumatic conditions of an industrial Hell to which the Working-Classes were consigned to of Sinful underbelly belonging to the Victorian era whose prim and proper Christian morality was but a facade; the publication of Alice's Adventures in Wonderland has over time inspired numerous conjectures as to its Shamanic overtones and that of Hallucinogenic references to various substances being consumed by Alice in the story, which appear to induce Altered-States-of-Consciousness of growing small and large of Awareness. During the Psychedelic era of the Hippie 60's to 70’s Alice was very much of an Avatar of Surrealist Muse for the use of Mind-Altering substances in order to expand ones Consciousness into exploring 'Parallel-Universe' Wonderlands through Looking-Glass Wormholes of prior ‘Stargate’ traveller into the Multiverse 'Matrix' of the Quantum Dream.