BOTISI

BOTISI PYTHONESS:

The Seventeenth Spirit is Botisi, Botisui or Botis, a Great President, and Countess. She appears at first within the guise of a huge Snake likened to a vicious Viper or Python of Ouroboros, which will be seen to be pursuing a young Maiden whom to flee like that of a petrified white Mouse around ones Magick Circle to then be caught within its constricting crushing coils to be hungrily consumed and digested whereupon Botisi will then rapidly take on Human form as a fearsome Female Samurai. When Botisi to take on human appearance one will perceive her wearing a Horned helmet while her body well toned and athletic whose sensuous naked skin to be scaled reptilian does carry a bright and very sharp Dragon sword Katana within her hand.

She will tell of all things Past and to Come if her Master desires it so whereby a Maid will then manifest into Vision whom Botisi will swiftly behead with her Katana of ever sharp blade to then verily gut so as to divine from the Maidens spilt Serpentine Spiral entrails. The young Maids will thence be revealed to be personified periods of Time and thereby aspects of Botisi whom represents the great round of 'Mitochondria' Ouroboros Snake whom be as Circled Eternal Recurrence. The mundane Geneticist to surgically peel away the layers of the Mitochondria so as to determine the rounds of Evolutionary Time while the Sorcerer to do so Internal via Vision and Dream wherefore one to have Botiisi. She also reconciles Friends and Foes whom she will aid in getting them to remember their previous rounds of existence as well as to reveal that her Number be part of a Hidden Runic Code underlying the Goetia.

She rules over 60 Legions of Spirits all feminine of Maid whom to emanate from various Aeon rounds of the Recurring Ages, which Botisi be the Informing Spirit of.


BOTISI CHINNAMASTA HEADLESS DAKINI

One can equate Botisi with the 'Headless Goddess' in Hinduism going by the name of Chhinnamasta (often spelled Chinnamasta as well as Chhinnamastika) who is seen as being one of the Mahavidyas, as well as an aspect of Devi. The literal translation of the name Chhinnamasta is 'One with a Severed Head.' Chhinnamasta is often depicted as having beheaded her own head with her own 'Sword' who then holds her severed head within one of her hands; three jets of blood are seen spurting out of her bleeding neck, while one streams into her own mouth of her severed head, the other two streams flow into the mouths of her two naked female retinues whom are her Yogini’s.

Chinnamasta is perceived to be a Goddess of Courage and Discernment who is recognized by both Hindus and Buddhists alike; however the Buddhists perceive her as the Headless Dakini rather than that of a Goddess. Scholars believe that Chinnamasta is distantly related to the Severed-Headed form of Vajrayogini.

As for the myth of Chinnamasta it is related that one day the consort of Siva whom is known as the Goddess Parvati went to bathe within the Mandakini River along with her two attendants, Jaya and Vijaya. After bathing, the Great Goddess’s mind drifted as she relaxed. After a time, Parvati’s two female attendants asked her, "Give us some food. We are hungry." Parvati replied, “I shall give you food but please wait.” However, after a while, Parvati’s attendants again asked her for sustenance. Parvati replied, "Please wait, I am thinking about some matters." Waiting awhile, Parvati’s female retinues implored her, "You are the Mother of the universe. A child asks everything from her Mother. The mother gives her children not only food but also coverings for the body. So that is why we are praying to you for food. You are known for your Mercy; please give us food." Upon hearing this, the consort of Siva told her attendants that she would give them what they desired when they returned home. However once again her two attendants begged her, "We are overpowered with hunger, O Mother of the Universe. Give us food so we may be satisfied, O Merciful One, Bestower of Boons and Fulfiller of Desires."

When Parvati heard this statement, the merciful Goddess severed her own head. As soon as she did so her severed head, fell within the palm of her left hand. Three bloodstreams thence emerged from out of her throat; the left and right streams of blood flowed into the waiting mouths of her flanking female attendants while the central stream rained into her own mouth. Afterwards they were all satisfied to later return home and it is by this act Parvati became known as Chhinnamasta.

Within visual imagery, Chhinnamasta is usually depicted standing upon the bodies of a copulating couple called Kamadeva and Rati, with Rati on the top. The couple are both shown lying upon a Lotus. There are usually two differing interpretations of this aspect of Chhinnamasta’s iconography. One can interpret it as symbolising the control of Sexual Desire, the other as a representing the Goddess’s embodiment of Sexual Energy.

The most common interpretation is that of perceiving Chinnamasta defeating what Kamadeva and Rati represent, namely Sexual Desire and that of its unhindered Lustful energy. This school of thought perceives Chinnamasta as signifying self-control, which is believed to be the primary hallmark of a successful Yogi. However, the decapitation of Chinnamasta’s own head represents the experience of deep Trance and that of a sensation of becoming centred within ones head while to lose the sense of one having a body. The three spurts of blood represent the three Nerve channels of ones Spinal column being that of the Left-Nerve-Channel-Ida, Right-Nerve-Channel-Pingala and the Central-Nerve-Channel of the Sushmana via which an energy (Kundalini Shati - Fire-Snake) flows free. Chinnamasta’s two female attendants thereby represent the 'Ida' and 'Pingala' Nerve Channels while Chinnamasta is the Central-Nerve-Channel of the 'Sushumna'.

The copulating couple is symbolic of creation for Sex is a Creative act creating all life as well as representing Orgasm. The Sexual act happens at all levels of reality, which manifests the present physical Universe and that of other Universes as well as Space and Time. Sex is the creative power of the Maha Shakti - Maha Devi. It is this Sexual energy, which gushes up through Chinnamasta’s body to eventually erupt out of her headless torso feeding her devotees as well as replenishing herself.

Sex and that of its rhythmic flow of energy makes up the Chhinnamasta icon of the Great Mother whom is the physical Universe of Multiverse for she creates through Copulation, maintains worlds Lovingly and eventually destroys all sense of form when reaching headless Orgasm as the Shakti, or power of the Trimurthi. Chinnamasta represents the Sexual power behind everything which sustains the Universe. The creation of the Great Mother is that of her food whom feasts upon the eventual disembodied Awareness of all things, which in ancient times of perspective was very much tied up with blood sacrifice, which played a role in some (Shakti) Mother Goddess worship; such practice was that of returning the life force back to her in order for its energy to be once again recycled of Eternal Recurrence.

The image of Chhinnamasta is of a composite icon, which conveys an amalgamation of Sexual Creation, Orgasmic Death and of the Destruction of Form via Orgasm as well as Regeneration through Copulation. It is a symbolic representation of the fact that Life equals Sex while Orgasm is equated with Death and such are an intrinsic part of the grand unified scheme, which makes up the manifested Universe.

The stark contrasts within Chinnamasta’s iconographic scenario, such as the gruesome self decapitation, the copulating couple, the drinking of fresh blood, are all arranged into a delicate, harmonious pattern. The Icon of Chinnamasta is designed to shock the viewer into an awareness of the Great Mother whom feeds on Death, is nourished by Death, and necessitates Death whose cycle of Eternal Recurrence is continuous while the function of Sex is to perpetuate more Life, which in turn will decay and Die in order to feed the Great Mother birthing more Life.
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AMAZONIAN INDIAN LERAIKHA: The Fourteenth Spirit is called Leraikha (or Leraje Leraie). She is Marchioness Great in Power. She appears when the Sun is in Sagittarius, in the likeness of a most beautiful lithe Amazonian Indian Woman of gymnastic form carrying a Bow and Quiver. She will manifest amidst the enfolding Green depths of the Amazonian Jungle within ones visions. She can instigate great battles and contests so as to harass the enemies of her Master whereupon those who have malign intentions whom seek to cause harm will experience the spread of worm eaten wounds to erupt forth upon their bodies that will putrefy, which will be brought about by the influence of her ‘Power Intrusion’ flying Arrows very much like that of Elf-Shot. She teaches her Master about the art of Shamanic ‘Sucking Doctoring’ whereupon he will be enabled to suck out 'Power Intrusions' in order to heal others should her Master desire it so. She is also very wise in the usage of the ‘Soul Vine’ Ayahuasca to know of numerous other Amazon Rainforest Power Plant Spirits all Feminine, which she will reveal in depth about as well as to teach of those Shamanistic ways practiced by many an Amazon tribe. She Governs 30 Legions of Spirits like her self whom to appear as a tribe of Women hunting within the depths of the Amazonian Jungle Green. (Note: Check out the Article 'DNA Serpent Quantum Dreaming' in the Occult Article section of this most humble Wyrd-Web-Site, which to cover the Inter-Species Symbiosis between the Human and that of the Plant realm. The domain of the Plant to have ruled over the globe of this planet long before the Insects to have swarmed let alone that of the Amphibians to cross over to the land to occupy, hence some of whom have Evolved in order to Communicate with other Life-forms via Chemical agents they to engineer!)