SALLOSI

LOVE CHESS HOPLITE SUCCUBUS SALLOSI:

The Nineteenth Spirit is Sallosi (or Saleosi). She is a Great and Mighty Duchess, and appears in the form of a gallant and most beautiful Athenian Woman of an Amazon, whose body is lithe and gymnastic, whom will be dressed as an ancient Greek Hoplite of a soldier. She will sometimes be seen within ones Visions to be riding upon a Crocodile, which will be the arousal of her Evoked sexual energy caressing ones Reptilian-Brain-Stem. Upon her head she will be wearing a Ducal crown of a crested Hoplite helmet. She is very peacable and most wise in the Chess-Game of Love whose battles she always wins for her Master for she causes the Love of Women to be attracted to Men, and of Men to Women, wherefore she attracts those Women, which her Master desires to become as his alone of Lovers while she to eradicate his competitors from off the Chessboard. She will only do as her Master bids when she is sexually taken within those Erotic Lucid Dreams of Ancient Greece she will instigate via which she will inform her Master in depth about the Arts of Love, Chess and Poetry. She governs over Thirty Legions of Female Hoplites like unto her self.

THE CHESS GODDESS OF LOVE AND SEX

The Succubus Sallosi is somewhat akin to 'Caissa' who is a mythical Goddess featured in a poem called Caïssa written in 1763 by English poet and philologist Sir William Jones. She is portrayed as an ancient Greek Thracian Dryad.
Jones' work was inspired by the poem Scacchia ludus ("The game of Chess"), written by Italian poet Marco Girolamo Vida in 1510.

Because of her historical connection to the game of Chess, Caissa is traditionally considered the patron Goddess of Chess players. For Chess players, Caissa is often invoked as a source of inspiration or luck, e.g. "Caissa was with me in that game." She is sometimes referred to as a "Chess Muse" for her imagined ability to inspire Chess players to play well.

Caissa is also spelled Caïssa. Caissa is pronounced "ky-EE-suh" or "ky-suh."

Caissa the Goddess of Chess Chess is tantalizing. The game itself; the people drawn to it; the symbolism it evokes; the metaphors, which it inspires.

On one level the Chessboard is the battlefield of life upon which two opposing combatants compete: White against Black; Good against Evil; Positive against Negative, Day against Night, Sun against Moon; Man against Woman. It is also a dynamic interaction between two minds, which converge and fuse into creating dynamic moves, like that of dancers or likened more so to lovers, a thing of beauty, sensual in its nuances and graphic in its uncompromising starkness.

Chess is usually seen to be analogous to War. Yet, the elements of Chess, the interaction between two individuals or two minds: the give and take, the parry and thrust, the intensity and passion, of affinity to boxing and sword fighting has more associative links to that of Sexual Lovemaking. However, Chess and that of its relationship to Love, Romance or Sex, involves the inter-relationship between the two genders (depending of course on ones Sexual orientatation); yet Chess is often thought of as a primarily male-oriented game, while it's inclusion of female players to have once sparked off a rapid reaction from tunnel vision males.

Until the end of the 19th century Women, for the most part, were expected to limit themselves to the artistic or domestic sides of Chess playing, leaving the competitive side to the men. This attitude gave rise to the literary fantasy of powerful Women players, a fantasy, which evolved into the preoccupation with the Sexual and physical attributes of a female Chess player.

This Sexual fantasy first occurred in the early days of Chess (Shatranj) and was expressed in the famous compilation of stories, 1001 Arabian Nights. The story tells of Tawaddud, the Slave-Girl whom excels in many areas including Chess:

when the damsel was playing chess with the expert in presence of the Commander of the Faithful, Harun al-Rashid, whatever move he made was speedily countered by her, till she beat him and he found himself checkmated.

“O professor, I will make a wager with thee on this third game.

I will give thee the queen and the right-hand castle and the left-hand knight; if thou beat me, take my clothes, and if I beat thee, I will take thy clothes.” Replied he, “I agree to this;” and they replaced the pieces, she removing queen, castle and knight. Then said she, “Move, O master.” So he moved, saying to himself, “I cannot but beat her, with such odds,” and planned a combination; but, behold, she moved on, little by little, till she made one of her pawns a queen and pushing up to him pawns and other pieces, to take off his attention, set one in his way and tempted him to take it. Accordingly, he took it and she said to him, “The measure is meted and the loads equally balanced. Eat till thou are over-full; naught shall be thy ruin, O son of Adam, save thy greed. Knowest thou not that I did but tempt thee, that I might finesse thee? See: this is check-mate!” adding, “So doff off thy clothes.” Quoth he, “Leave me my bag-trousers, so Allah repay thee;” and he swore by Allah that he would contend with none, so long as Tawaddud abode in the realm of Baghdad. Then he stripped off his clothes and gave them to her and went away." (Translation by Richard Burton)

Dilaram was the favorite wife of Grand Vizier's Harem. Her husband, Murwadi, had been playing Chess for high stakes and losing badly. He had lost his entire fortune, his possessions and finally all his wives except for Dilaram. He finally used her as stakes for his last chance to gain back some of his losses. But his game looked bad, especially since his opponent would mate him on the next move. Dilaram was, of course, watching the game of her fate closely. She was a much better player than her husband, and actually much better than his adversary. She looked at the position on the board and saw how her husband could win. Since she wasn't allowed to advise him, she clothed her instructions by shouting, "Sacrifice your two rooks, but don't sacrifice me!" Her husband considered her words carefully and found the winning moves.

The story above accompanied a position (called a Mansuba) entitled "Dilaram’s Mate" and was first recorded by Firdewsi at-Tahihal in his book on Chess in the 15th century. It's suspected that the story and problem were first given in the 10th century book, Kitab Ash-Shatranj by the legendary Abu-Bakr Muhammad ben Yahya as-Suli.

The fantasy of the powerful Woman Chess player culminated in the creation of Caïssa, the Goddess of Chess. Caïssa was invented by Sir William Jones, the hyper-polyglot Mathematician in his1763 Latin poem of the same name. In the poem Ares, the God of War, pursued Caïssa, a dryad, with little success. The God of Sport advised Ares to create a game for her to win her over. That game was Chess.
Later writers were less interested in the fantasy and more intent on metaphors and symbols and the game of Love.
Even Shakespeare (1564-1616) incorporated a well known, though minor, Chess scene in The Tempest.

The Tempest: Act Five, Scene One (Ferdinand and Miranda)

The entrance of the Cell opens, and discovers Ferdinand and Miranda playing at Chess.

Miranda: Sweet lord, you play me false.

Ferdinand: No, my dearest love, I would not for the world.

Miranda: Yes, for a score of kingdoms you should wrangle, And I would call it fair play

Miranda and Ferdinand are lovers whose fathers are sworn enemies. Their love, represented in a devious game of chess in the final scene, restores harmony between the two families
A more recent modern interpretation of Shakespeare used Chess as a metaphor for Love:

"CAMBRIDGE UNIVERSITY'S EDINBURGH 2003 SHOW - LOVE'S LABOUR'S LOST AS YOU'VE NEVER SEEN IT BEFORE!
Want to play a game?....

Cambridge University Ariel Society is proud to present their Edinburgh Fringe 2003 Show ‘Love’s Labour’s Lost’. Taken from the Shakespearean script, this production seeks to fully foreground Shakespeare's already self-conscious dramaturgy, and provide an insight into his most enigmatic play.

Set around the concept of a chess game, ‘Love’s Labour’s Lost’ becomes a game of love. The battle of the sexes, the elaborate moves and countermoves of the men and women, and the assumption wrongly made by the women that the courtship is just sport are all heightened by the chessboard setting. Chess appears throughout the script, along with countless other images of games, playing, winning... and losing."

Chaucer (1343-1400) took a rather clever approach; instead of lovers (or simply a man and woman) playing a symbolic game of love, the man plays a game (in a dream) against Fortune and losses his "Queen," his "bliss. (Such is very similar to stories of a man playing against the Devil for his Soul in a symbolic battle of Good versus Evil in the game of Life) This story is related in one of his earliest works, Book of the Duchess:
In reality Chess was played by women in the Middle-Ages, but their participation was usually limited to playing their husbands or those of their betrothed; whereby depictions of women playing at chess with men often symbolized the relationship between the man and the woman.
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BIKER-GIRL BATHINI: The Eighteenth Spirit is Bathin or Bathini. She is a Mighty and Strong Duchess, whom appears as a sensuously dark woman of lithe form to have a wild and wanton Valkyrie biker temperament who has a tattoo of a winding Serpent upon her naked shoulder. She will often be seen to be seated upon an Iron-Horse of a Chopper-bike. She knows the virtues of various natural and chemical hallucinogens as well about narcotic herbs and aphrodisiacs for she is a dealer in such wares. She is also very knowledgeable about the value of precious stones to sometimes manifest such as apports, which she to carry. She can transport her Master suddenly from one country to the next via his Quantum Dreams, whereupon he to ride pillion behind her arse to cradle across the Hyperspatial Highways between Alternate Realities existing within Parallel Universes. She will enable her Master to smash through the Fixated 'Picture' of one Illusory Reality into another of Maya Picture. (For example of associated aside, the Japanese word 'Honda' to mean 'One from the Base of the Fields', whereby when one to change the fixation of the Implicate Ordered Information Field of the Quantum Dream one can then affect a Leap into another Information Field of an Alternate Reality.) At times Bathini will be seen to Shape-Shift into an Iron-Horse of Bitch Motorbike for ones Vision to Smack Up to ride. She will teach her Master to awaken within the Dream at a desired location so as to fix it to tune into a locale wherefore he will then physically appear where he desires to go should he desire it so. She will often ride into the Dreams of her Master along with those Sisters of the Dream Roads following up behind her wherefore then to demand sexual gratification of orgiastic intent which has to be fulfilled before she does anything for her Master, but once satisfied, she to become his most loving Psychic-Piston-Machine of a Sex Slave desiring more of the same to be ever bound to his thrusting Wishes. She rules over 30 Legions of Spirits like unto her self. BIKER-GIRL BATHINI: The Eighteenth Spirit is Bathin or Bathini. She is a Mighty and Strong Duchess, who appears as a sensuously dark woman of lithe form,with a wild and wanton Valkyrie biker temperament, a tattoo of a winding Serpent upon her naked shoulder. She will often be seen seated upon an Iron-Horse of a Chopper-bike. She knows the virtues of various natural and chemical hallucinogens as well as about narcotic herbs and aphrodisiacs for she is a dealer in such wares. She is also very knowledgeable about the value of precious stones and she sometimes manifest such as apports, which she carries. She can transport her Master suddenly from one country to the next via his Quantum Dreams, whereupon he rides pillion behind her, cradling her arse across the Hyperspatial Highways between Alternate Realities existing within Parallel Universes. She will enable her Master to smash through the Fixated 'Picture' of one Illusory Reality into another, to experience various Maya Pictures. (For example, an associated aside, the Japanese word 'Honda' means 'One from the Base of the Fields', whereby when one changes the fixation of the Implicate Ordered Information Field of the Quantum Dream one can then effect a Leap into another Information Field of an Alternate Reality.) At times Bathini will be seen to Shape-Shift into an Iron-Horse, a Bitch Motorbike for one’s Vision to Smack Up to ride. She will teach her Master to awaken within the Dream at a desired location so as to fix it to tune into a locale where he will then physically appear where he desires to go should he desire it so. She will often ride into the Dreams of her Master along with those Sisters of the Dream Roads following up behind her wherefore then to demand sexual gratification of orgiastic intent which has to be fulfilled before she does anything for her Master, but once satisfied, she becomes his most loving Psychic-Piston-Machine of a Sex Slave desiring more of the same to be ever bound to his thrusting Wishes. She rules over 30 Legions of Spirits like unto herself.