UVALLI

GENIE UVALLI:

The Forty-Seventh Spirit is Uvall, Vual or Uvalli. She is a Duchess Great Mighty and Strong. She appears as a beautiful dark skinned Genie Maiden dressed in a revealing costume as a sultry and sensual Arabian Nights Princess riding a mighty Dromedary over a desert of female forms. She speaks the ancient 'Egyptian tongue' whose voice is deeply sensuous. Her office is to procure the love of beautiful women, and to tell of all things Past, Present and to come via highly erotic vivid Dreams through whose symbolism she will reveal all through her passionate love making.

She is the Mistress of the Pyramidal Harem City of Women and is highly versed in Sexual Alchemy and Sensual Massage techniques, which she bestows upon her Master through vivid Lucid Dreams whereby she induces Out-of-Body Experiences in order to heal him of all maladies whether physical or otherwise to take her Master into the realms of Sensory Raptures and Retinal Delights. She also procures friendship between friends and foes as well as to fulfil all Wishes asked of her. It is said that her Master must obtain an ornate bottle or that of an antique brass oil lamp so that to place her sign upon engraved, which to thereby henceforth be her abode whereupon her Master to periodically ejaculate into it every full Moon so that to bind her unto him as his most loving and loyal Servant. She was of the Order of Potentates or Powers. She governs 37 Legions of Erotic Female Spirits like unto her self.

MAD MARCH HARE HAREM OF WONDERLAND SPRING ORGY

One can imaginatively equate Uvalli with the 'Mad March Hare' of character, which is most famous for appearing in the Tea Party scene in Lewis Carroll’s 'Alice’s Adventures in Wonderland;' Alice, hypothesises that, “The March Hare will be much the most interesting, and perhaps as this is May it won’t be raving mad, at least, not so mad as it was in March.”

“Mad as a March Hare” was a common phrase in Carroll’s time, and appears in John
Heywood’s collection of proverbs published in 1546. It is reported in ‘The
Annotated Alice’ by Martin Gardner that this proverb is based on popular belief about Hares’ behaviour at the beginning of the long breeding season, which lasts from February to September in Britain; early in the season, unreceptive Females often use their forelegs to repel overenthusiastic males. It used to be incorrectly believed that these bouts were between males fighting for breeding supremacy; whereby one in fact has a 'Mad Female March Hare' whom has a premenstrual headache, which is going insane!

Like the character’s famous friend of Mad Hatter, the March Hare feels compelled to always behave as though it is Tea-Time, which one conjecture as representing the season of Spring because the Hatter supposedly “murdered the time” whilst singing for the Queen of Hearts.

However for thousands of years the Hare has been featured in the mythology of many varied cultures and it is easy to see why for an image of a Hare (or Rabbit) appears on the Earth’s only natural satellite and it is visible to anyone who has looked at a full Moon. The cycle of the Moon has long been associated with human fertility especially that of Women hence the Moon acts as a 'Clock' whereby the 'Luna Hare' was regarded as being a representation of the Anglo-Saxon Moon Goddess, Eostre.

People spoke of Moon-gazing Hares that looked up in the Moonlight to their 'home' in the night sky. The Luna Hare is often shown carrying an Egg, symbolically heralding the new cycle of life that comes with the Spring. The Moon Goddess gives her name to one of our culture’s most celebrated festivals, Easter. Although it has now been appropriated as a Christian holiday it still reflects its ancient roots by taking place on the Sunday following the first full Moon after the vernal equinox. For ancient communities that had struggled to survive the winter with limited food reserves, Eggs were often the first of nature’s bounty to save them from starvation. No wonder then that the Luna Hare was revered as a symbol of life and endowed with magical powers.

In some parts of Ireland Hares continue to be celebrated. The legendary ‘White Hare of Creggan’ can be seen at the An-Creagan Visitor Centre in County Tyrone and its White silhouette still adorns local houses wherefore one can understand more deeper the pre-Christian symbolism of Carroll’s 'Time-keeping' White Rabbit, which is similar to that of the 'Luna-Clock' March Hare. Hares feature in Irish folklore, and the Hare is older than Ireland’s culture itself. The Irish Hare has been immortalised as the animal gracing the Irish pre-decimal three pence piece; Hare mythology exists throughout almost every ancient culture and when the first settlers colonised Ireland, the Irish Hare was already an iconic figure. There are many examples in Celtic mythology of Hare associations with the divine Feminine, and storytellers still relate tales of ‘Women’ who can Shape-Shift into Hares. “Put a Mouse on the Moon and see the Hare” is an old Irish saying, which ties in with the 'Dormouse' at the Mad Hatters Tea-Party.

For example one can also find the Hare Goddess in the Finno-Ugric mythology, she is known as Kaltes-Ekwa (Ostyak, Kaltes Ankw) and is considered as being the Mother of the hero Mir-Susne-Hum and the wife of the God Num-Torum, who defeated her in heaven. She was also a Moon Goddess associated with the month of April; a birth giving Goddess (she is called upon by Women in Child-Birth); Goddess of Fate; Goddess of Dawn and a Shape-Shifter, whom is often shown manifesting as a Hare. The Hare is often seen as an intermediary between Luna deities and humans, so the appearance of Kaltes in this form indicates her accessibility to her people. Kaltes is known as a Fertility Goddess and a Goddess of Rejuvenation. She is called upon by Women in Childbirth, for she is especially venerated as a promoter of the Beginning of the Life Cycle. Although she is somewhat feared because she can determine people’s Destinies, she is mostly revered for her gentle wisdom as well as being perceived as a compassionate guide into the mysteries of life.

One will find that throughout the world, there are numerous long-spoken ancient tales about the Hare; from the Americas to the Far East, from Africa to Europe, the Hare is embedded in the folk myths of our ancestors. The Hare is primarily associated with the mystique of the Moon, the celestial skies, the Sun, with fertility, the Dawn, cunning and bravery. There is evidence of Hare symbolism in ancient pottery, coins, seals, hieroglyphs and in oral history. The most striking thing about the mythology of Hares is the degree of their commonality across the globe; similar to the fact that most ancient cultures have a flood myth, most also seem to have Hare mythology.

What is it about the Hare that led to this ongoing mythology, which invariably inspired Carroll’s creation of the 'Mad March Hare' as well as that of the 'White Rabbit'? We will probably never know for certain; however, the fact that wild Hares lived in close proximity to people, perform unique and uninhibited courtship dances, are extremely 'Sexually Active in the Spring' and are active at Night, were all probable factors in the Hare myths survival throughout the ages especially since Hare symbolism is very much associated with Feminine Sexuality and Fertility hence that of Goddess worship.

One will find that the Harem Hare Succubus Uvalli is always gagging for a good 'Luna' leap around of Wet-Dream tangle amidst the straw, however, when she gets a 'Blood-Moon' Headache one will find ones self with a Maddening Nightmare upon ones hands!