Sunday 31 January 2010

BATHINI


BIKER-GIRL BATHINI:

The Eighteenth Spirit is Bathin or Bathini. She is a Mighty and Strong Duchess, whom appears as a sensuously dark woman of lithe form to have a wild and wanton Valkyrie biker temperament who has a tattoo of a winding Serpent upon her naked shoulder. She will often be seen to be seated upon an Iron-Horse of a Chopper-bike. She knows the virtues of various natural and chemical hallucinogens as well about narcotic herbs and aphrodisiacs for she is a dealer in such wares. She is also very knowledgeable about the value of precious stones to sometimes manifest such as apports, which she to carry. She can transport her Master suddenly from one country to the next via his Quantum Dreams, whereupon he to ride pillion behind her arse to cradle across the Hyperspatial Highways between Alternate Realities existing within Parallel Universes.

She will enable her Master to smash through the Fixated 'Picture' of one Illusory Reality into another of Maya Picture. (For example of associated aside, the Japanese word 'Honda' to mean 'One from the Base of the Fields', whereby when one to change the fixation of the Implicate Ordered Information Field of the Quantum Dream one can then affect a Leap into another Information Field of an Alternate Reality.)

At times Bathini will be seen to Shape-Shift into an Iron-Horse of Bitch Motorbike for ones Vision to Smack Up to ride. She will teach her Master to awaken within the Dream at a desired location so as to fix it to tune into a locale wherefore he will then physically appear where he desires to go should he desire it so. She will often ride into the Dreams of her Master along with those Sisters of the Dream Roads following up behind her wherefore then to demand sexual gratification of orgiastic intent which has to be fulfilled before she does anything for her Master, but once satisfied, she to become his most loving Psychic-Piston-Machine of a Sex Slave desiring more of the same to be ever bound to his thrusting Wishes. She rules over 30 Legions of Spirits like unto her self.


BIKER-GIRL BATHINI:

The Eighteenth Spirit is Bathin or Bathini. She is a Mighty and Strong Duchess, who appears as a sensuously dark woman of lithe form,with a wild and wanton Valkyrie biker temperament, a tattoo of a winding Serpent upon her naked shoulder. She will often be seen seated upon an Iron-Horse of a Chopper-bike. She knows the virtues of various natural and chemical hallucinogens as well as about narcotic herbs and aphrodisiacs for she is a dealer in such wares. She is also very knowledgeable about the value of precious stones and she sometimes manifest such as apports, which she carries. She can transport her Master suddenly from one country to the next via his Quantum Dreams, whereupon he rides pillion behind her, cradling her arse across the Hyperspatial Highways between Alternate Realities existing within Parallel Universes.

She will enable her Master to smash through the Fixated 'Picture' of one Illusory Reality into another, to experience various Maya Pictures. (For example, an associated aside, the Japanese word 'Honda' means 'One from the Base of the Fields', whereby when one changes the fixation of the Implicate Ordered Information Field of the Quantum Dream one can then effect a Leap into another Information Field of an Alternate Reality.)

At times Bathini will be seen to Shape-Shift into an Iron-Horse, a Bitch Motorbike for one’s Vision to Smack Up to ride. She will teach her Master to awaken within the Dream at a desired location so as to fix it to tune into a locale where he will then physically appear where he desires to go should he desire it so. She will often ride into the Dreams of her Master along with those Sisters of the Dream Roads following up behind her wherefore then to demand sexual gratification of orgiastic intent which has to be fulfilled before she does anything for her Master, but once satisfied, she becomes his most loving Psychic-Piston-Machine of a Sex Slave desiring more of the same to be ever bound to his thrusting Wishes. She rules over 30 Legions of Spirits like unto herself.
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BOTISI PYTHONESS: The Seventeenth Spirit is Botisi, Botisui or Botis, a Great President, and Countess. She appears at first within the guise of a huge Snake likened to a vicious Viper or Python of Ouroboros, which will be seen to be pursuing a young Maiden whom to flee like that of a petrified white Mouse around ones Magick Circle to then be caught within its constricting crushing coils to be hungrily consumed and digested whereupon Botisi will then rapidly take on Human form as a fearsome Female Samurai. When Botisi to take on human appearance one will perceive her wearing a Horned helmet while her body well toned and athletic whose sensuous naked skin to be scaled reptilian does carry a bright and very sharp Dragon sword Katana within her hand. She will tell of all things Past and to Come if her Master desires it so whereby a Maid will then manifest into Vision whom Botisi will swiftly behead with her Katana of ever sharp blade to then verily gut so as to divine from the Maidens spilt Serpentine Spiral entrails. The young Maids will thence be revealed to be personified periods of Time and thereby aspects of Botisi whom represents the great round of 'Mitochondria' Ouroboros Snake whom be as Circled Eternal Recurrence. The mundane Geneticist to surgically peel away the layers of the Mitochondria so as to determine the rounds of Evolutionary Time while the Sorcerer to do so Internal via Vision and Dream wherefore one to have Botiisi. She also reconciles Friends and Foes whom she will aid in getting them to remember their previous rounds of existence as well as to reveal that her Number be part of a Hidden Runic Code underlying the Goetia. She rules over 60 Legions of Spirits all feminine of Maid whom to emanate from various Aeon rounds of the Recurring Ages, which Botisi be the Informing Spirit of. BOTISI CHINNAMASTA HEADLESS DAKINI One can equate Botisi with the 'Headless Goddess' in Hinduism going by the name of Chhinnamasta (often spelled Chinnamasta as well as Chhinnamastika) who is seen as being one of the Mahavidyas, as well as an aspect of Devi. The literal translation of the name Chhinnamasta is 'One with a Severed Head.' Chhinnamasta is often depicted as having beheaded her own head with her own 'Sword' who then holds her severed head within one of her hands; three jets of blood are seen spurting out of her bleeding neck, while one streams into her own mouth of her severed head, the other two streams flow into the mouths of her two naked female retinues whom are her Yogini’s. Chinnamasta is perceived to be a Goddess of Courage and Discernment who is recognized by both Hindus and Buddhists alike; however the Buddhists perceive her as the Headless Dakini rather than that of a Goddess. Scholars believe that Chinnamasta is distantly related to the Severed-Headed form of Vajrayogini. As for the myth of Chinnamasta it is related that one day the consort of Siva whom is known as the Goddess Parvati went to bathe within the Mandakini River along with her two attendants, Jaya and Vijaya. After bathing, the Great Goddess’s mind drifted as she relaxed. After a time, Parvati’s two female attendants asked her, "Give us some food. We are hungry." Parvati replied, “I shall give you food but please wait.” However, after a while, Parvati’s attendants again asked her for sustenance. Parvati replied, "Please wait, I am thinking about some matters." Waiting awhile, Parvati’s female retinues implored her, "You are the Mother of the universe. A child asks everything from her Mother. The mother gives her children not only food but also coverings for the body. So that is why we are praying to you for food. You are known for your Mercy; please give us food." Upon hearing this, the consort of Siva told her attendants that she would give them what they desired when they returned home. However once again her two attendants begged her, "We are overpowered with hunger, O Mother of the Universe. Give us food so we may be satisfied, O Merciful One, Bestower of Boons and Fulfiller of Desires." When Parvati heard this statement, the merciful Goddess severed her own head. As soon as she did so her severed head, fell within the palm of her left hand. Three bloodstreams thence emerged from out of her throat; the left and right streams of blood flowed into the waiting mouths of her flanking female attendants while the central stream rained into her own mouth. Afterwards they were all satisfied to later return home and it is by this act Parvati became known as Chhinnamasta. Within visual imagery, Chhinnamasta is usually depicted standing upon the bodies of a copulating couple called Kamadeva and Rati, with Rati on the top. The couple are both shown lying upon a Lotus. There are usually two differing interpretations of this aspect of Chhinnamasta’s iconography. One can interpret it as symbolising the control of Sexual Desire, the other as a representing the Goddess’s embodiment of Sexual Energy. The most common interpretation is that of perceiving Chinnamasta defeating what Kamadeva and Rati represent, namely Sexual Desire and that of its unhindered Lustful energy. This school of thought perceives Chinnamasta as signifying self-control, which is believed to be the primary hallmark of a successful Yogi. However, the decapitation of Chinnamasta’s own head represents the experience of deep Trance and that of a sensation of becoming centred within ones head while to lose the sense of one having a body. The three spurts of blood represent the three Nerve channels of ones Spinal column being that of the Left-Nerve-Channel-Ida, Right-Nerve-Channel-Pingala and the Central-Nerve-Channel of the Sushmana via which an energy (Kundalini Shati - Fire-Snake) flows free. Chinnamasta’s two female attendants thereby represent the 'Ida' and 'Pingala' Nerve Channels while Chinnamasta is the Central-Nerve-Channel of the 'Sushumna'. The copulating couple is symbolic of creation for Sex is a Creative act creating all life as well as representing Orgasm. The Sexual act happens at all levels of reality, which manifests the present physical Universe and that of other Universes as well as Space and Time. Sex is the creative power of the Maha Shakti - Maha Devi. It is this Sexual energy, which gushes up through Chinnamasta’s body to eventually erupt out of her headless torso feeding her devotees as well as replenishing herself. Sex and that of its rhythmic flow of energy makes up the Chhinnamasta icon of the Great Mother whom is the physical Universe of Multiverse for she creates through Copulation, maintains worlds Lovingly and eventually destroys all sense of form when reaching headless Orgasm as the Shakti, or power of the Trimurthi. Chinnamasta represents the Sexual power behind everything which sustains the Universe. The creation of the Great Mother is that of her food whom feasts upon the eventual disembodied Awareness of all things, which in ancient times of perspective was very much tied up with blood sacrifice, which played a role in some (Shakti) Mother Goddess worship; such practice was that of returning the life force back to her in order for its energy to be once again recycled of Eternal Recurrence. The image of Chhinnamasta is of a composite icon, which conveys an amalgamation of Sexual Creation, Orgasmic Death and of the Destruction of Form via Orgasm as well as Regeneration through Copulation. It is a symbolic representation of the fact that Life equals Sex while Orgasm is equated with Death and such are an intrinsic part of the grand unified scheme, which makes up the manifested Universe. The stark contrasts within Chinnamasta’s iconographic scenario, such as the gruesome self decapitation, the copulating couple, the drinking of fresh blood, are all arranged into a delicate, harmonious pattern. The Icon of Chinnamasta is designed to shock the viewer into an awareness of the Great Mother whom feeds on Death, is nourished by Death, and necessitates Death whose cycle of Eternal Recurrence is continuous while the function of Sex is to perpetuate more Life, which in turn will decay and Die in order to feed the Great Mother birthing more Life.

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